ACTING: PERFORMING THE SELF - 2017/8
Module code: THE2024
Guildford School of Acting
DUGGAN P Dr (GSA)
Number of Credits
FHEQ Level 5
Module cap (Maximum number of students)
Overall student workload
Independent Study Hours: 128
Seminar Hours: 22
|Assessment type||Unit of assessment||Weighting|
|Practical based assessment||DEVISED AUTOBIOGRAPHICAL PERFORMANCE - INDIVIDUAL (5-10 MINUTES)||100|
Devised autobiographical performance (Individual): 100% (5-10 Minutes)
Prerequisites / Co-requisites
This module explores creative approaches to working with devised personal and autobiographical material in performance. We study ways of explore the truths, lies and ethics of using the personal and autobiographical in performance. Throughout the module, students will be introduced to a variety of artistic techniques and strategies that will enable them to create their own auto/biographical pieces. In this module students will work with a range of material and forms, which may include play texts, contemporary experimental theatre, performance/live art, site-specific practice, verbatim theatre, examining the work of specific UK and international companies and artists (such as Bobby Baker, Forced Entertainment or Marina Abramovic, for instance).The module explores the creation and showing of auto/biography in performance. The module also establishes the importance of focus, discipline and rigor in the work of the performer and promotes self-organisation and non-autocratic ways of collaborating and devising.
Provide a practical overview of theories and practices of autobiographical and personal performance in twentieth and twenty-first century theatre (a, b, d)
Enable students to consider and engage critically and analytically with the body in performance (c, e, h)
Enable students to physically explore ideas as a mode of personal expression and communication (c, g, h)
Introduce ethical issues in working with personal material.
KEY: Letters in parentheses (a, b, etc) correspond to the Educational Aims of the Programme (see Programme Specification, Section 18)
|Demonstrate a creative and embodied engagement, through performance exercises and presentation, with the key principles of auto/biographical performance and use those as a foundation from which to develop original performance material (A2, B2)||KC|
|Engage critically and analytically with the body in performance; and carry out a project through to performance that engages with and articulates personal and auto/biographical material (A1, A2, B2, C1, C3)||KC|
|Learn about the ethics of working with personal material (B2)||KCT|
|Learn how to engage in practice-based research and explore theoretical concerns through practice and to synthesise findings in practical tasks (D1, D2, D3, D4)||KCT|
|Relate to others in theatrical processes and performances; to work effectively with others in small task-orientated groups and to initiate and sustain creative, analytic and interpretative work within strict time limits and basic technical competence (A2, C1, C3)||PT|
|Express and communicate creative ideas and images; ability to initiate and sustain creative work, both group and solo (A2, C1, C3)||PT|
C - Cognitive/analytical
K - Subject knowledge
T - Transferable skills
P - Professional/Practical skills
The module will consider varying practical approaches to the personal and auto/biographical on stage. A practical enquiry will enable the students to pursue and further their own interests and enhance their skillset while learning new methods and strategies to create and devise embodied and self-generated performance in a collaborative manner. The module will take as case studies a range of theatrical styles and conventions stemming from the 20th and early 21st century’s theatre history; it will be as important to consider the staging and performing of the self within the history of theatrical avant-garde or within contemporary radical Live Art practice as it is to consider current forms of collectively devised theatre. The students will be invited to create, devise and perform a piece of auto/biographical performance, either solo or collective.
Indicative content includes:
Autobiographical performance from 1960s-present
Gender and performance
Feminist performance and political activism
Intimacy, one-to-one performance
Systems are examined further through themed sessions referring to the work of specifi companies and practitionners: The following companies and / or practitioners are given here by way of example:
Marina Abramovic and Ulay
Methods of Teaching / Learning
The learning and teaching strategy is designed to: enhance first-hand knowledge and experience of 20th and 21st-century personal and autobiographical performance; foster technical and performance skills; enhance confidence and the ability to articulate and present ideas clearly and effectively.
Indicative learning and teaching methods include: workshops, supervised and unsupervised rehearsals, group discussions and readings, peer-to-peer learning, independent research and reflection.
The learning and teaching methods include:
11x2hr practical classes. At the start of the module, students will receive an outline of the practical classes, which is likely to list staff-led workshops, student work (individually or in groups) and assessment (formative/summative).
The assessment strategy is designed to provide students with the opportunity to demonstrate: first-hand experience, knowledge and critical understanding of 20th and 21st century’s personal and auto/personal performance and devised theatre; exploring practice as a means of interrogating into and understanding specific forms of personal and auto/biographical theatre and performance.
Thus, the performance outcome will address directly the relationship between the focus of the module and questions of the self and autobiographical material in contemporary performance, especially as these concern intersections between theatre and other arts practices (including political activism, feminism, documentary film and/ or visual arts).
Formative assessment and feedback
Students are to present their group performance on Week 10. Prior to this sessions will be dedicated to supervised and mentored devising and rehearsal process during which the students will be encouraged to show their findings to the teacher and share concerns and thoughts in an informal settings.
Reading list for ACTING: PERFORMING THE SELF : http://aspire.surrey.ac.uk/modules/the2024
Programmes this module appears in
|Dance with Theatre and Performance BA (Hons)||1||Optional||A weighted aggregate mark of 40% is required to pass the module|
|Theatre and Performance BA (Hons)||1||Optional||A weighted aggregate mark of 40% is required to pass the module|
|Theatre and Performance with Creative Writing BA (Hons)||1||Compulsory||A weighted aggregate mark of 40% is required to pass the module|
|Theatre and Performance with Film Studies BA (Hons)||1||Optional||A weighted aggregate mark of 40% is required to pass the module|
Please note that the information detailed within this record is accurate at the time of publishing and may be subject to change. This record contains information for the most up to date version of the programme / module for the 2017/8 academic year.