FRENCH CINEMA AFTER WWII - 2022/3
Module code: MFC2045
In light of the Covid-19 pandemic the University has revised its courses to incorporate the ‘Hybrid Learning Experience’ in a departure from previous academic years and previously published information. The University has changed the delivery (and in some cases the content) of its programmes. Further information on the general principles of hybrid learning can be found at: Hybrid learning experience | University of Surrey.
We have updated key module information regarding the pattern of assessment and overall student workload to inform student module choices. We are currently working on bringing remaining published information up to date to reflect current practice in time for the start of the academic year 2021/22.
This means that some information within the programme and module catalogue will be subject to change. Current students are invited to contact their Programme Leader or Academic Hive with any questions relating to the information available.
This module explores the cinema and film making practice of one or more nation, region or community outside of the USA. We will consider the various frameworks and concepts that can help us analyse and understand films within a geographically-specific context by looking at a selection of different films and reading what has been written about them. In the context of the programme as a whole the module will develop an understanding of the variety and adaptability of audiovisual media to different national, social and political conditions and develop knowledge of cinema beyond Hollywood.
School of Literature and Languages
POWRIE Philip (Lit & Langs)
Number of Credits: 15
ECTS Credits: 7.5
Framework: FHEQ Level 5
JACs code: V146
Module cap (Maximum number of students): N/A
Overall student workload
Independent Learning Hours: 109
Seminar Hours: 22
Guided Learning: 12
Captured Content: 7
Prerequisites / Co-requisites
Indicative content includes one or more of:
- Contemporary French cinema
- Italian Art cinema
- Cuban ‘imperfect cinema’
- British Cinema
|Assessment type||Unit of assessment||Weighting|
The assessment strategy is designed to provide students with the opportunity to demonstrate their ability to analyse and compare film examples with reference to world cinema contexts.
Thus, the summative assessment for this module consists of:
- An essay of 2500 words due in the exam period
Formative assessment and feedback
- In-class presentation/ workshop on a sequence analysis, on which students will receive informal verbal feedback
- Written version of the sequence analysis for formative feedback on their writing.
- Develop knowledge of at least one nationally- or regionally-specific cinema beyond Hollywood
- Expand students' conception of cinema through exploring at least one nationally- or regionally-specific cinema outside of Hollywood.
- Give a historical overview of the different types of films and filmmaking practice within at least one nationally- or regionally-specific cinema outside of Hollywood
- Develop students' use of conceptual frameworks specific to studying national or regional cinemas
- Continue to develop students' skills in audiovisual analysis of film and screen media
|1||Give a coherent account of one or more national or regional cinema, both its history and the contemporary context||KC|
|2||Use appropriate conceptual frameworks in the study of one or more national or regional cinema||KCPT|
|3||Provide textual and audiovisual evidence for their account of a particular national or regional cinema||PT|
|4||Analyse a film sequence and express this verbally and in writing|
C - Cognitive/analytical
K - Subject knowledge
T - Transferable skills
P - Professional/Practical skills
Methods of Teaching / Learning
The learning and teaching strategy is designed to develop an understanding of key concepts for the analysis of one or more world cinemas as well as an ability to identify and discuss contested issues.
A representative sample of films will be screened with reading appropriate to the sample made available. Seminar discussions will involve debate about the specificities of one or more world cinemas and the close analysis of extracts of film.
The learning and teaching methods include:
- 2 hours of seminar/ screening/ lecture time over 11 Weeks, including presentations by the lecturer and by students
- Weekly readings
Indicated Lecture Hours (which may also include seminars, tutorials, workshops and other contact time) are approximate and may include in-class tests where one or more of these are an assessment on the module. In-class tests are scheduled/organised separately to taught content and will be published on to student personal timetables, where they apply to taken modules, as soon as they are finalised by central administration. This will usually be after the initial publication of the teaching timetable for the relevant semester.
Upon accessing the reading list, please search for the module using the module code: MFC2045
Programmes this module appears in
|English Literature BA (Hons)||1||Optional||A weighted aggregate mark of 40% is required to pass the module|
|English Literature with Creative Writing BA (Hons)||1||Optional||A weighted aggregate mark of 40% is required to pass the module|
Please note that the information detailed within this record is accurate at the time of publishing and may be subject to change. This record contains information for the most up to date version of the programme / module for the 2022/3 academic year.