PORTFOLIO OF RECORDINGS - 2019/0
Module code: TON3013
Music and Media
HAIGH C Mrs (Music & Med)
Number of Credits
FHEQ Level 6
Module cap (Maximum number of students)
Overall student workload
Workshop Hours: 9
Independent Study Hours: 410
Lecture Hours: 11
Seminar Hours: 16
Tutorial Hours: 4
|Assessment type||Unit of assessment||Weighting|
|Coursework||RECORDING TECHNIQUES SEMINAR||25|
|Coursework||PORTFOLIO OF WORK: A COMPILATION||75|
Prerequisites / Co-requisites
• Level 4 Audio Engineering and Recording Techniques A & B • Level 5 Recording Techniques
This module forms a one of the major specialisations of Level 6 and consists of two main components. You will have the opportunity to research an aspect of operational audio engineering or sound recording of your choice (presented as either a written paper or recorded documentary), and to present this to the rest of the year so that colleagues learn from your findings. You will also have the opportunity to develop skills as recording engineers and present a compilation of the best of their recorded material.
Provide you with operational experience building on the previous parts of the course that is relevant to a career in the sound recording and broadcast industries
Provide an opportunity to develop individual areas of operational interest and expertise
Increase familiarity with, and understanding of, specialised areas of operational audio engineering and sound recording which are not normally covered in the formal lecture modules
Help you gain confidence in making formal presentations and answering questions on their ideas to small groups
|001||Plan and manage a range of types of recording session||KCPT|
|002||Make recordings of a range of genres of music to a high standard||KCP|
|003||Edit session recordings to a high standard to produce a CD master||KCP|
|004||Assemble a compilation of a variety of musical styles applying good production standards||KCP|
|005||Research independently an operational topic and present ideas in a coherent form, either as a recorded documentary or as a presentation and as a written paper||KCT|
|006||Ask and answer questions in subjects related to recording techniques and audio engineering||KC|
C - Cognitive/analytical
K - Subject knowledge
T - Transferable skills
P - Professional/Practical skills
The content of the seminar will be agreed between you and the module co-ordinator at the plenary sessions held during Semester 1.
The portfolio of recordings must contain:
A large scale “classical” item recorded on location
A classical item, edited and produced under studio session conditions.
A multitracked “pop” recording.
Methods of Teaching / Learning
The learning and teaching strategy is designed to: develop your skills in audio recording and post-production techniques for the music recording and broadcast industries. It will also provide opportunities for discussion and debate.
The learning and teaching methods include:
• Two two-hour plenary sessions at the beginning of Semester 1.
• Eight two-hour seminars in Semester 2 during which each student will give a presentation on their paper topic or have their documentary played back.
• Three three-hour workshops run by visiting professionals.
• Eleven one hour listening sessions in small groups for formative feedback on recordings
The assessment strategy is designed to provide you with the opportunity to demonstrate excellence in recording and post-production skills in a variety of music genres; skills in researching, writing and presenting a paper or in researching, writing or making a documentary on an operational topic; and skills in answering questions on a technical topic in a coherent way.
Thus, the summative assessment for this module consists of:
• Coursework 1 – Recording Techniques Seminar. The first element of this coursework (20%) involves either writing a paper (3,000 words) or making a documentary 20-30 minutes in length. The second element of the Recording Techniques Seminar coursework (5%) is the presentation of the paper, or the public playback of the documentary followed by question and answer session of 15-20 minutes, in Semester 2 (addresses learning outcomes 5-6).
• Coursework 2 – Portfolio of Recordings: A compilation of recordings, total running time 25-35 mins minutes (addresses learning outcomes 1-4).
There are no formal formative assessment components for this module, but formative feedback will be given to individual students in listening sessions, in tutorials during operational workshops, and following their presentations or playback of their documentaries.
Students will receive written feedback on their written paper or documentary, verbal feedback in operational workshops and listening sessions, and verbal feedback on their portfolio of recordings.
Reading list for PORTFOLIO OF RECORDINGS : http://aspire.surrey.ac.uk/modules/ton3013
Programmes this module appears in
|Music and Sound Recording (Tonmeister) BSc (Hons)(CORE)||Year-long||Core||Each unit of assessment must be passed at 40% to pass the module|
|Music and Sound Recording (Tonmeister) BMus (Hons)(CORE)||Year-long||Core||Each unit of assessment must be passed at 40% to pass the module|
Please note that the information detailed within this record is accurate at the time of publishing and may be subject to change. This record contains information for the most up to date version of the programme / module for the 2019/0 academic year.