THE ACTOR IN REHEARSAL 5 / ADVANCED TEXT - 2020/1
Module code: ACT2025
Students will be expected to arrive on time and appropriately prepared for physical and vocal work. Research and preparation will be necessary in pursuit of some of the modules aims. Students are required to warm up and dress appropriately for classes.
The Actor in Rehearsal offers an opportunity for integration of principles and skills from across the programme. Like a canvas the actor may use the rehearsal room to experiment with and apply their training in relation to different theatrical forms and rehearsal processes.
The work explored in Acting Fundamentals 1, Collaborative Principles and Embodied Voice and Movement 1/2 will provide you with the beginnings of process necessary for practical, embodied engagement with the module.
Building on the work of The Actor in Rehearsal 3 (Level 4) the student will deepen their engagement with the relationship between technique, in the pursuit of strict form, style, genre and creative, emotional freedom.
This rehearsal Module offers the actor an opportunity to work with a tutor/director on scenes involving advanced text including, but not limited to – Comedy of Manners, Checkhov, Shakespeare, Bond.
Guildford School of Acting
ROUSE Dominic (GSA)
Number of Credits: 15
ECTS Credits: 7.5
Framework: FHEQ Level 5
JACs code: W410
Module cap (Maximum number of students): N/A
Overall student workload
Independent Learning Hours: 22
Practical/Performance Hours: 128
Prerequisites / Co-requisites
Indicative content includes:
- Students will work with a Tutor/Director on scenes involving advanced text.
- Plays and scenes will be selected and cast by the Tutor in consultation with the Programme Leader, to offer tailored challenges to the particulr cohort.
- The focus of the module is on the process of the actor. A presentation of the scenes at the end of the project is designed to offer a finishing point. However, it is important to note that the scene presentation is sharing of process and is not speparatly assesed.
|Assessment type||Unit of assessment||Weighting|
|Practical based assessment||Continuous Assessment with a sharing of work.||100|
The assessment strategy is designed to provide students with the opportunity to demonstrate a growing understanding of embodied actor creator process in relation to rehearsal and complex text / style/ genre.
The module is continually assessed through Teaching Block 2.
Thus, the summative assessment for this module consists of continuous assessment of the preparation, rehearsal and showing of scenes of complex text/genre.
Formative assessment and feedback will be given through a session in the middle of teaching block 2. Formative feedback will also occur during practical sessions on a verbal basis. The feedback will usually be in a group context, but may sometimes happen one to one with the tutor.
- Deepen understanding of the key principles of:
- Actor Process.
- Imagination and Play.
- Extreme Form.
- Action (Inner /Outer), Units of Action, Objective and Super-Objective. (Acting as Doing)
- Genre / Genre.
through a range of experiential rehearsal approaches.
- Inspire an open, generous and playful approach to the practical and analytical tools of the actor
- Deepen understanding of research and text analysis skills through the exploration of a range of acting methodologies – With an emphasis on the actors’ journey towards embodiment and the living expression of knowledge
- Develop imagination, sensation and a quality of immersion in the world of the play.
- Explore the nature of the relationship between the actor/individual and character.
- Encourage the development of strategies for practical rehearsal exercises.
- Encourage the development of an embodied personal artistic process.
- Deepen an understanding of what is required in the delivery of complex text and advance the process of engaging with strict theatrical Form.
- Deepen understanding of artistic autonomy and resilience through critical processes
- Extend and challenge the nature and level of the student's physical and emotional engagement with the work.
- Engender an appreciation of the uncertainty of knowledge
|001||Make embodied choices relating to character and actions in pursuit of objectives within a set of given circumstances||KP|
|002||Demonstrate greater physical awareness of the body and its ability to affect space||KP|
|003||Evidence a personal rehearsal process||PT|
|004||Take ownership of the responsibilities of the artist in the creative environment and the need for sensitivity in relation to others||CPT|
|005||Practise successful collaborative and autonomous working processes||KPT|
|006||Demonstrate the ability to engage in research and analysis of complex performance texts, styles, genres – With an emphasis on the actors’ journey towards embodiment and the living expression of knowledge / Form||KC|
|007||Risk an increased physical and emotional commitment to rehearsal in the pursuit of theatrical scale and strict form||KP|
C - Cognitive/analytical
K - Subject knowledge
T - Transferable skills
P - Professional/Practical skills
Methods of Teaching / Learning
The learning and teaching strategy is designed to: Give a practical and theoretical understanding of the key concepts that underpin the acting training across the programme.
Place an emphasis on the practical development of embodied skills that are required for extended and best practice in the profession.
Enable students to acquire an open, generous, versatile actor creator process and integrate their knowledge across acting disciplines all of which lead on to a firm foundation moving toward the study at Level 6.
Through the rehearsal context give students the chance to begin to integrate skills from other modules in Year 1 and to develop rehearsal room etiquette and approaches.
The learning and teaching methods include:
Practical, skills based and tutor led group sessions following traditional formats.
Visual, Audio and Kinaesthetic methods of learning – including use of VLE.
Week Intensive (20hrs)
Practical workshops (96hrs)
12 hours of rehearsal and performance
22 hours for self-reflection, research, documentation and class preparation time.
Indicated Lecture Hours (which may also include seminars, tutorials, workshops and other contact time) are approximate and may include in-class tests where one or more of these are an assessment on the module. In-class tests are scheduled/organised separately to taught content and will be published on to student personal timetables, where they apply to taken modules, as soon as they are finalised by central administration. This will usually be after the initial publication of the teaching timetable for the relevant semester.
Upon accessing the reading list, please search for the module using the module code: ACT2025
Under the three term structure that commences from academic year 2019/0 – this module’s delivery is year-long due to the teaching occurring in Teaching Block 2.
Programmes this module appears in
|Acting BA (Hons)(YEAR LONG)||Year-long||Compulsory||A weighted aggregate mark of 40% is required to pass the module|
Please note that the information detailed within this record is accurate at the time of publishing and may be subject to change. This record contains information for the most up to date version of the programme / module for the 2020/1 academic year.