SCREEN MUSIC STUDIES - 2020/1
Module code: MUSM053
In light of the Covid-19 pandemic, and in a departure from previous academic years and previously published information, the University has had to change the delivery (and in some cases the content) of its programmes, together with certain University services and facilities for the academic year 2020/21.
These changes include the implementation of a hybrid teaching approach during 2020/21. Detailed information on all changes is available at: https://www.surrey.ac.uk/coronavirus/course-changes. This webpage sets out information relating to general University changes, and will also direct you to consider additional specific information relating to your chosen programme.
Prior to registering online, you must read this general information and all relevant additional programme specific information. By completing online registration, you acknowledge that you have read such content, and accept all such changes.
The purpose of the module is to develop your existing knowledge of film music theory and scholarship as well as providing opportunities for suitably experienced students to enhance their practice in writing for the screen.
Music and Media
BARHAM Jeremy (Music & Med)
Number of Credits: 15
ECTS Credits: 7.5
Framework: FHEQ Level 7
JACs code: W613
Module cap (Maximum number of students): N/A
Prerequisites / Co-requisites
Familiarity with the basic history and theory of screen music
Analytical, historical and critical aspects of the module will address selected issues as they impinge on the functions and analysis of screen music, such as the sound of silent film, surrealism, the notion of diegesis, science-fiction and horror genres, screen music and temporality, pre-existent music, visual music, jazz on screen, film form and narrative structures
Repertoire will be selected according to the interests of the students and may include silent film, early non-Hollywood sound film, Hollywood Golden Age, Hitchcock, French New Wave, animation, documentary film, horror and sci-fi film, Bunuel, Eisenstein
|Assessment type||Unit of assessment||Weighting|
|Coursework||1500-WORD ANALYTICAL WRITTEN ASSIGNMENT||25|
|Coursework||3000-WORD EXTENDED PROJECT OR MINI-PORTFOLIO (WITH 10-15 MINUTES MUSIC PLUS 1500-WORD CRITICAL COMMENTARY)||75|
The assessment strategy is designed to provide students with the opportunity to explore and develop new, historical, theoretical, critical and aesthetic concepts and practical skills.
Preparation for, and execution of, the student-led discussions and the first (observational and analytical) assignment provide opportunities for formative assessment and feedback, and a stepping stone to the wider-ranging second assignment
Students will be required to conduct informal discussion at two points during the module, either singly or in groups, on a topic related to the lecture content
Both assignments offer opportunity for (interim) and final summative assessment
Coursework 1 (25% of final grade): analysis of the music and sound of a chosen film extract, involving observation in the form of a detailed cue sheet, used as the basis for critical comment on the function, placing, frequency, and structure of the music cues in relation to image, scene construction and narrative content. (Learning outcomes 1, 2, 4, 5, 6, 7).
Coursework 2 (75% of final grade): EITHER an extended written project investigating a topic of special interest to the student (for example a single film, composer, set of related films, idea or concept, historical, analytical, or aesthetic issue within screen music studies); OR a mini portfolio of screen scoring, plus critical commentary outlining the methods and aims of the creative work produced (Learning outcomes 1-7).
- To address a range of historical, theoretical and technical aspects of screen (film/video/TV) media and associated musics.
|1||Demonstrate systematic understanding and critical awareness of the historical development of screen media and associated musics.||KCT|
|2||Demonstrate awareness of various aspects of screen music theory and technique such as film form, film and culture, film interpretation and the role of music in film narrative.||KCT|
|3||Develop aesthetic understanding of, and practical skills and techniques in, image-music synchronization through editing, synthesis, computer scoring, and screen score analysis.||KCPT|
|4||Demonstrate scholarly and practical skills commensurate with professional standards of research and scoring.||CPT|
|5||Undertake critical evaluation of current research and associated methodologies and propose alternative hypotheses in the scholarly field.||KCT|
|6||Demonstrate a comprehensive understanding of techniques/methodologies applicable to your work.||KCT|
|7||Demonstrate independent and self-critical learning and know when and how to make appropriate use of others.||CT|
C - Cognitive/analytical
K - Subject knowledge
T - Transferable skills
P - Professional/Practical skills
Overall student workload
Personal Tutorial Hours: 4
Independent Study Hours: 124
Lecture Hours: 22
Methods of Teaching / Learning
The module comprises 11 2-hour lectures.The lecturer will introduce key general concepts and specific examples in an overview of the field of study and the critical literature. This will be complemented by tutorial practical tuition (for composers) or tutorial academic discussion (for those choosing the essay option), and developed through class discussion and/or short, prepared presentations by students.
Indicated Lecture Hours (which may also include seminars, tutorials, workshops and other contact time) are approximate and may include in-class tests where one or more of these are an assessment on the module. In-class tests are scheduled/organised separately to taught content and will be published on to student personal timetables, where they apply to taken modules, as soon as they are finalised by central administration. This will usually be after the initial publication of the teaching timetable for the relevant semester.
Reading list for SCREEN MUSIC STUDIES : http://aspire.surrey.ac.uk/modules/musm053
Programmes this module appears in
|Music (Composition) MMus||2||Optional||A weighted aggregate mark of 50% is required to pass the module|
|Music MMus||2||Optional||A weighted aggregate mark of 50% is required to pass the module|
|Music (Conducting) MMus||2||Optional||A weighted aggregate mark of 50% is required to pass the module|
Please note that the information detailed within this record is accurate at the time of publishing and may be subject to change. This record contains information for the most up to date version of the programme / module for the 2020/1 academic year.