RESEARCH AND REHEARSAL - 2020/1
Module code: MUT1024
Module Overview
Research and Rehearsal explores the fundamentals of a range of theories and training exercises inspired by the principles and practices of seminal practitioners. The student will explore the basics of theatre from Stortyelling, the classical theatre of the Greeks and Naturalism. Concurrent with these classes will be a short course in Health and Wellbeing for performers, Contextual Studies and, in the final term, Song and Dance classes which begin to integrate learned skills.
The module enables students to break down barriers to performance work and performing in front of each other, encouraging peer to peer feedback and an ensemble approach to learning.
introduces concepts of research, preparation, contextual discussion and artistic expression appropriate to the study of acting and performance at first year undergraduate level.
Module provider
Guildford School of Acting
Module Leader
WOOLFORD Julian (GSA)
Number of Credits: 30
ECTS Credits: 15
Framework: FHEQ Level 4
Module cap (Maximum number of students): N/A
Overall student workload
Independent Learning Hours: 143
Lecture Hours: 27
Seminar Hours: 130
Module Availability
Year long
Prerequisites / Co-requisites
Must be taken with Acting 1, Dance 1, and Singing and Music 1
Module content
Indicative content includes:
Context
Students will study the history of theatre and musical theatre to provide a historical context for their future careers. It includes Historical and Socio-political understanding of key texts, the development analytical and academic writing skills and the practical exploration of source material in Song and Dance classes which integrate key skills.
Storytelling
Students will study the basics of devising, storytelling, creating their own material and working collaboratively in a small ensemble.
Greek Theatre
Students will work on the methodologies of working as a protagonist and as part of chorus/ensemble. The project focuses on the connection between actor, text and audience. It enables students to explore the process of choral and individual work and aids in the application of core thinking to modern text.
Naturalism
Students will work on the methodologies of rehearsal and performance of a naturalistic text. They will use Objectives, Beats and Units, Actioning, Circles of Attention and Active Analysis.
Health and Wellbeing
Students will undertake a series of masterclasses and workshops focussing on the healthy performer. These will include studying Diet and Nutrition, Mental Health, Physical Fitness and Wellbeing, and Empowerment.
Assessment pattern
Assessment type | Unit of assessment | Weighting |
---|---|---|
Practical based assessment | Continuous Assessment: Classical Project | 30 |
Practical based assessment | Continuous Assessment: Naturalism Project | 40 |
Coursework | Written Assessment: Context Project | 30 |
Alternative Assessment
N/A
Assessment Strategy
The assessment strategy is designed to provide students with the opportunity to demonstrate
the acquisition of key rehearsal and performance skills
Thus, the summative assessment for this module consists of:
Rehearsal Process Assessment (Classical Project): 30%: Teaching Block 2
• Contextual Understanding
• Understanding and Application of theory
• Character analysis and understanding
• Integration of disciplines
• Ensemble work
Rehearsal Process Assessment (Naturalism) – 40%: Teaching Block 3
• Contextual Understanding
• Understanding and Application of theory
• Character analysis and understanding
• Integration of disciplines
• Ensemble work
Context Project – 30%. Submitted Week 1 of Term 3
• Contextual Understanding
• Understanding and Application of theory
• Academic presentation
• Academic Research
Formative assessment
Storytelling:
Formative assessment is crucial to this module. In mirroring industry practice, students are given detailed constant verbal feedback and during classes and rehearsal, which enables students to develop and act upon notes given. Students are encouraged to create a reflective journal which encourages and develops their own reflective practice.
Student Activity Link to Learning Outcome(s)
• Contextual Understanding
• Understanding and Application of theory
• Character analysis and understanding
• Integration of disciplines
• Ensemble work
• Research Depth
Module aims
- Develop awareness and understanding of how an actor communicates with an audience through use of voice, text, mask, mime and other storytelling techniques.
- The module enables students to develop skills which will aid them to devise and perform as a small ensemble a piece of original performance material which has been developed through a series of rehearsals led by a director.
- Introducing an understanding of dynamic systems of rehearsal, and the expectations of a professional rehearsal process.
- Develop key skills in the fundamentals of acting method with Level 4 students. The key practitioner is Stanislavski however other practitioners, for example Lecoq, Alfreds and Meisner may be studied or referenced alongside the core Stanislavskian methods.
- The overall aim of the module is to equip students with the physical, intellectual, practical and emotional skills to approach text or performance with methodological rigor.
Learning outcomes
Attributes Developed | ||
001 | Compare current and historical practitioners their theories and practices. | K |
002 | Critically analyse, reflect upon and evaluate yours and other’s work. | C |
003 | Examine research theory and its application | C |
004 | Demonstrate discipline and consistency in a professional context | T |
005 | Demonstrate effective collaborative skills within a creative process. | T |
006 | Demonstrate a continually developing approach to skills acquisition | P |
Attributes Developed
C - Cognitive/analytical
K - Subject knowledge
T - Transferable skills
P - Professional/Practical skills
Methods of Teaching / Learning
The learning and teaching strategy is designed to:
Place an emphasis on the practical development of skills that are required for extended and best practice in the profession.
Enable students to acquire versatility in their mental and physical skills and integrate their knowledge across all musical theatre disciplines all of which lead on to a firm foundation moving toward study at Level 5.
The learning and teaching methods include:
Group Lectures
Group Seminars
Group and individual research sessions
Project rehearsal
Across the year the module is delivered in 300 hours study including class, seminar and self-study.
Indicated Lecture Hours (which may also include seminars, tutorials, workshops and other contact time) are approximate and may include in-class tests where one or more of these are an assessment on the module. In-class tests are scheduled/organised separately to taught content and will be published on to student personal timetables, where they apply to taken modules, as soon as they are finalised by central administration. This will usually be after the initial publication of the teaching timetable for the relevant semester.
Reading list
https://readinglists.surrey.ac.uk
Upon accessing the reading list, please search for the module using the module code: MUT1024
Other information
Under the three term structure that commences from academic year 2019/0 – this module’s delivery is year-long due to the teaching occurring in Teaching Blocks 1, 2 and 3.
Programmes this module appears in
Programme | Semester | Classification | Qualifying conditions |
---|---|---|---|
Musical Theatre BA (Hons)(YEAR LONG) | Year-long | Compulsory | A weighted aggregate mark of 40% is required to pass the module |
Please note that the information detailed within this record is accurate at the time of publishing and may be subject to change. This record contains information for the most up to date version of the programme / module for the 2020/1 academic year.