POPULAR MUSIC AND SOCIETY - 2020/1
Module code: SOC3044
In light of the Covid-19 pandemic, and in a departure from previous academic years and previously published information, the University has had to change the delivery (and in some cases the content) of its programmes, together with certain University services and facilities for the academic year 2020/21.
These changes include the implementation of a hybrid teaching approach during 2020/21. Detailed information on all changes is available at: https://www.surrey.ac.uk/coronavirus/course-changes. This webpage sets out information relating to general University changes, and will also direct you to consider additional specific information relating to your chosen programme.
Prior to registering online, you must read this general information and all relevant additional programme specific information. By completing online registration, you acknowledge that you have read such content, and accept all such changes.
This module examines the significance of popular music in mediated societies, focusing on industries, texts, technologies and audiences. We explore a range of topics, including authenticities, standardisation, global music flows and a range of issues regarding music consumers and the ways popular music relates to divisions relating to class, gender and ethnicity.
HODKINSON Paul (Sociology)
Number of Credits: 15
ECTS Credits: 7.5
Framework: FHEQ Level 6
JACs code: W357
Module cap (Maximum number of students): N/A
Prerequisites / Co-requisites
Indicative content includes:
1. Understandings of authenticity in relation to new technologies
2. Music industries
3. Global flows of music
4. Questions of power, manipulation and democratisation
5. Music sub-cultures, fans and audiences
6. Questions of class, gender and race in relation to popular music.
|Assessment type||Unit of assessment||Weighting|
|Practical based assessment||ONLINE PARTICIPATION||20|
|Coursework||1000 WORD EXPLICATION ESSAY||30|
|Examination||1 HOUR SEEN EXAMINATION||50|
The assessment strategy is designed to provide students with the opportunity to demonstrate
Assessment one assesses students’ ability to convey and discuss ideas in an online forum throughout the semester. Discussion topics tie in with lectures and readings at the time each one takes place. Discussions particularly assess lo 4 but incorporate the first three learning outcomes too.
Assessment two focuses directly on lo 5 and encourages close critical reading and written discussion, but also assesses understanding of concepts and application of theories (1 and 3).
Assessment three focused directly on lo 6 but also assesses all of los 1-3, on familiarity with terms and concepts, the ways popular music can be studied and application of theory.
Thus, the summative assessment for this module consists of:
- Online participation (20%), requiring students to contribute to each of five discussion topics throughout the semester, drawing upon reading and examples and interacting with the comments of others.
- 1000 word explication essay (30%) requiring students to select an article from a list provided and write a critical explication of the arguments therein.
- 1 hour seen exam (50%), requiring students to answer one question from a list that covers the key issues and topics discussed on the module.
Formative assessment and feedback
Students gain formative feedback throughout the semester via the interaction of their ideas with peers and the lecturer, both in class and via the online discussions. All students are encouraged to ask questions and test ideas in relation to the assignments during the weeks preceding their submission. Students will be offered the opportunity to mark and provide their own feedback on anonynmised previous exam scripts as part of preparation for the examination.
- To provide an overview of role and significance of popular music in mediated societies
- To elucidate and differentiate between approaches related to music in relation to texts, technologies, industry and audiences
- To identify and relate to one another a range of theoretical and empirical studies relating to specialist topics relating to popular music studies
|001||Demonstrate a familiarity with key terms and concepts used in the study of popular music|
|002||Appreciate the different ways in which popular music can be studied, notably as an industry, as cultural text, as technology and in terms of its consumption|
|003||Apply to the case of music, broader theories about the relationship between media, culture and society|
|004||Discuss popular music theories and research in relation to contemporary examples in class and online|
|005||Carry out a close critical reading of a piece of literature on popular music and society|
|006||Draw on the range of material covered on the module in order to construct arguments and explanations under exam conditions|
C - Cognitive/analytical
K - Subject knowledge
T - Transferable skills
P - Professional/Practical skills
Overall student workload
Independent Study Hours: 128
Lecture Hours: 11
Seminar Hours: 11
Methods of Teaching / Learning
The learning and teaching strategy is designed to:
Lectures components provide a core background, enthusing students about the significance and importance of the topics and arguments, and enabling the understanding of core concepts and examples. Seminar discussions enable students to develop greater depth of understanding through practical exercises and discussions centred on reading and connecting to key concepts from the lecture. Sometimes lecture and seminar are discrete whereas in other weeks a more integrated approach is taken. SurreyLearn discussions take place throughout the module and enable interaction and feedback on a range of ideas and understandings.
The learning and teaching methods include:
The teaching strategy consists of 22 combined lecture/seminar sessions, plus a revision session. Students complete compulsory readings each week as preparation for the seminar discussions.
Indicated Lecture Hours (which may also include seminars, tutorials, workshops and other contact time) are approximate and may include in-class tests where one or more of these are an assessment on the module. In-class tests are scheduled/organised separately to taught content and will be published on to student personal timetables, where they apply to taken modules, as soon as they are finalised by central administration. This will usually be after the initial publication of the teaching timetable for the relevant semester.
Reading list for POPULAR MUSIC AND SOCIETY : http://aspire.surrey.ac.uk/modules/soc3044
Programmes this module appears in
|Digital Media Arts with Media Studies BA (Hons)||1||Optional||A weighted aggregate mark of 40% is required to pass the module|
|Media Studies with Theatre and Performance BA (Hons)||1||Optional||A weighted aggregate mark of 40% is required to pass the module|
|Media, Culture and Society BSc (Hons)||1||Optional||A weighted aggregate mark of 40% is required to pass the module|
|Sociology BSc (Hons)||1||Optional||A weighted aggregate mark of 40% is required to pass the module|
|Sociology with Psychology BSc (Hons)||1||Optional||A weighted aggregate mark of 40% is required to pass the module|
|Media Studies with Film Studies BA (Hons)||1||Optional||A weighted aggregate mark of 40% is required to pass the module|
Please note that the information detailed within this record is accurate at the time of publishing and may be subject to change. This record contains information for the most up to date version of the programme / module for the 2020/1 academic year.