ELECTROACOUSTICS - 2020/1
Module code: TON2014
In light of the Covid-19 pandemic, and in a departure from previous academic years and previously published information, the University has had to change the delivery (and in some cases the content) of its programmes, together with certain University services and facilities for the academic year 2020/21.
These changes include the implementation of a hybrid teaching approach during 2020/21. Detailed information on all changes is available at: https://www.surrey.ac.uk/coronavirus/course-changes. This webpage sets out information relating to general University changes, and will also direct you to consider additional specific information relating to your chosen programme.
Prior to registering online, you must read this general information and all relevant additional programme specific information. By completing online registration, you acknowledge that you have read such content, and accept all such changes.
This module is intended to provide you with a solid grounding in electro-acoustics with emphasis on the study of loudspeakers and microphones including use of single degree of freedom modelling.
Music and Media
HAIGH Caroline (Music & Med)
Number of Credits: 15
ECTS Credits: 7.5
Framework: FHEQ Level 5
JACs code: F380
Module cap (Maximum number of students): N/A
Prerequisites / Co-requisites
Level 4 Acoustics and Computer Audio Systems A and B Level 4 Audio Engineering and Recording Techniques A and B Level 4 Electronics and Audio Signal Processing A and B
Indicative content includes:
- Use of the single degree of freedom model in electro-acoustic devices
- Deriving mathematical expressions for microphone and loudspeaker behaviour
- Calculation of loudspeaker and microphone characteristics from physical parameters
- Transduction mechanisms in loudspeakers
- Operating principles of moving coil, electrostatic, ribbon and horn loudspeakers
- Design of a loudspeaker using commercially available parts
- Analysis of results of experimental data produced in class
- Performance limitations of typical loudspeaker designs
- Principles of operation of pressure, pressure gradient, combination, condenser, moving coil, and ribbon microphones.
- Microphone specifications.
|Assessment type||Unit of assessment||Weighting|
|Coursework||COURSEWORK 1: LOUDSPEAKERS||33|
|Coursework||COURSEWORK 2: MICROPHONES||17|
|Examination||EXAMINATION (2 HOURS)||50|
The assessment strategy is designed to provide you with the opportunity to demonstrate academic writing skills, solution of calculation based problems, and application of theory to a design proposal.
• Two written coursework assignments based on Loudspeakers (addresses learning outcomes 6-9) and microphones (addresses learning outcomes 1-5)
• 2hr exam (addresses learning outcomes 1-9)
Formative assessment is provided though coursework feedback
You will receive written feedback on your coursework
- Familiarise you with the principles behind the operation of common transducers and how the alteration of various physical parameters will affect the performance characteristics of the device.
- Familiarise you with the use of single degree of freedom modelling
|001||Describe the principles of operation of pressure, pressure gradient, combination, switchable and variable-output microphones||KC|
|002||Describe the design of condenser, moving coil, and ribbon microphones||KC|
|003||Describe and explain microphone specifications||KCP|
|004||Mathematically describe the performance of a variety of microphones||KC|
|005||Use mathematical modelling to investigate the effect of changing an aspect of microphone design||KC|
|006||Describe the transduction mechanisms found in loudspeakers||KC|
|007||Describe the operating principles of moving coil, electrostatic, ribbon and horn loudspeakers||KC|
|008||Discuss the performance limitations of typical loudspeaker designs.||KCP|
|009||Mathematically describe the performance of a loudspeaker unit.||KC|
C - Cognitive/analytical
K - Subject knowledge
T - Transferable skills
P - Professional/Practical skills
Overall student workload
Independent Study Hours: 104
Lecture Hours: 40
Laboratory Hours: 6
Methods of Teaching / Learning
The learning and teaching strategy is designed to: deepen understanding of loudspeaker and microphone design following on from HE4 introduction in Level 4 Recording Techniques.
The learning and teaching methods include:
- A two hour lecture each non-practicals week
- A practical loudspeaker measurement session followed by report writing and results analysis
- A practical microphone measurement session to include directivity pattern, noise and proximity effect
- Independent reading and research
Indicated Lecture Hours (which may also include seminars, tutorials, workshops and other contact time) are approximate and may include in-class tests where one or more of these are an assessment on the module. In-class tests are scheduled/organised separately to taught content and will be published on to student personal timetables, where they apply to taken modules, as soon as they are finalised by central administration. This will usually be after the initial publication of the teaching timetable for the relevant semester.
Reading list for ELECTROACOUSTICS : http://aspire.surrey.ac.uk/modules/ton2014
Programmes this module appears in
|Music and Sound Recording (Tonmeister) BSc (Hons)(CORE)||Year-long||Core||Each unit of assessment must be passed at 40% to pass the module|
|Music and Sound Recording (Tonmeister) BMus (Hons)(CORE)||Year-long||Core||Each unit of assessment must be passed at 40% to pass the module|
Please note that the information detailed within this record is accurate at the time of publishing and may be subject to change. This record contains information for the most up to date version of the programme / module for the 2020/1 academic year.