COMPOSITION 3A - 2022/3
Module code: MUS3049
In light of the Covid-19 pandemic the University has revised its courses to incorporate the ‘Hybrid Learning Experience’ in a departure from previous academic years and previously published information. The University has changed the delivery (and in some cases the content) of its programmes. Further information on the general principles of hybrid learning can be found at: Hybrid learning experience | University of Surrey.
We have updated key module information regarding the pattern of assessment and overall student workload to inform student module choices. We are currently working on bringing remaining published information up to date to reflect current practice in time for the start of the academic year 2021/22.
This means that some information within the programme and module catalogue will be subject to change. Current students are invited to contact their Programme Leader or Academic Hive with any questions relating to the information available.
This module seeks to advance individual compositional practice in a wide range of genres to a professional (or close to professional) level. This is achieved through a focus on composing for solo performers and small ensembles. Students are encouraged to consider the many ways in which they can engage with these forces: through live performance, arranging and manipulating recorded audio, working with live electronics, using improvisation and employing various types of notation. The course will draw on techniques and case studies from a wide range of practices including classical, popular and non-Western musics. The course is delivered as a series of lectures divided between members of the Department's composition staff, allowing students to benefit from a breadth of knowledge, experience and expertise.
Music and Media
ARMSTRONG Thomas (Music & Med)
Number of Credits: 15
ECTS Credits: 7.5
Framework: FHEQ Level 6
JACs code: W300
Module cap (Maximum number of students): N/A
Overall student workload
Independent Learning Hours: 106
Lecture Hours: 18
Seminar Hours: 4
Guided Learning: 4
Captured Content: 18
Prerequisites / Co-requisites
None, but experience of composition in MUS1036 (Pathways in Musicianship B) and/or Fundamentals of Music Technology and either MUS2035 (Composition 2A) or MUS2036 (Composition 2B) is desirable.
The following is an indication of the sorts of topics to be covered:
- Idiomatic composition for solo instruments.
- Writing for small ensemble.
- Integration of electronics in either live or DAW-based environments.
- Notation for contemporary music.
- Compositional methodologies of other composers.
- Analyses and case studies drawing out harmonic, melodic, rhythmic, formal and textural features that can be assimilated and adapted in students' own work.
- Writing about and presenting your work.
- Your music in professional contexts: chamber choir and David Lovatt competitions.
- Topics such as text-setting, borrowing, re-working, Schillinger, structural harmony, etc. of particular interest to module teaching staff (the precise nature of these topics will vary from year to year).
|Assessment type||Unit of assessment||Weighting|
|Coursework||COMPOSITION FOLIO 1||35|
|Coursework||COMPOSITION FOLIO 2||35|
The assessment strategy is designed to provide students with the opportunity to develop their compositional skills through engagement with contemporary compositional techniques, theories and awareness of relevant creative practice all within the context of writing for soloists and small ensembles.
The formative assessment and feedback for this module may consist of (according to lecturer preference):
- Compositional exercises exploring particular techniques
- Feedback from performers in workshops
Summative assessment for this module includes
- Two compositional responses to 2 of the 3 topics covered on the module. According to lecturer preference these responses might take the form of a prescribed study or set of exercises. The compositional responses are to be submitted both as scores and audio realisations in ways appropriate to the style and genre adopted. Each compositional response should be accompanied by a brief commentary of between 500 and 750 words. The compositional responses are assessed on theoretical knowledge of the module concepts, idiomatic, imaginative and effective musical application of module concepts, contextualisation and reflection of creative practice, score and commentary presentation and writing style, and idiomatic realization of the works (Learning outcomes 1-9). Each compositional response is worth 35% of the final grade.
- A video presentation (worth 30% of the final grade), no longer than 10 minutes detailing some aspect of the student’s work and its context relating to the module topic not covered by the compositional responses. This is assessed on communication, knowledge, and contextualisation. (Learning outcomes 4-9). The student is free to choose which of the 3 module topics to use for the video presentation.
- Between them each of the three coursework components should cover all three module topics.
Detailed feedback on the presentation and portfolio is given (with a breakdown of strengths and weaknesses) in order to enhance continuing compositional practice.
- Develop professionalism in your approach to composition and the quality of your work.
- Develop your ability to respond flexibly and imaginatively to creative challenge.
- Develop and refine your skills in composing for solo performers and small ensembles.
- Develop confidence in collaborating with performers to develop your work.
- Become articulate in describing your compositional practice using written and audiovisual media.
|002||Create compositions of (or close to) a professional standard.||P|
|003||Produce idiomatic work across a variety of styles and/or contexts.||PT|
|004||Show awareness of relevant compositional practice and contextualize your work accordingly.||KC|
|005||Carry out research and analysis in support of creative practice.||KCP|
|006||Have an improved understanding of theoretical concepts relating to compositional practice.||KCP|
|001||Have an improved set of instrumental, notational, technological and production skills pertaining to work with soloists and small ensembles.||PT|
|007||Improve your listening skills, and the understanding and appreciation of a wide range of musical styles.||PT|
|009||Develop a critical attitude towards the sources of knowledge you draw on during your studies and learn how to manage the information they contain in order to meet the demands of your assignments.||CT|
|008||Develop the ability to present and communicate pertinent aspects in the field of contemporary composition via written and audio-visual media.||PT|
C - Cognitive/analytical
K - Subject knowledge
T - Transferable skills
P - Professional/Practical skills
Methods of Teaching / Learning
- Seminars (depending on staff approach these may overlap with lectures).
- Guided reading and listening.
- Whole-class/group discussion.
- Producing two compositions (with commentaries) responding to different lecturers' topics.
- Producing a video recorded presentation responding to a different lecturer's topic from the two compositions.
Indicated Lecture Hours (which may also include seminars, tutorials, workshops and other contact time) are approximate and may include in-class tests where one or more of these are an assessment on the module. In-class tests are scheduled/organised separately to taught content and will be published on to student personal timetables, where they apply to taken modules, as soon as they are finalised by central administration. This will usually be after the initial publication of the teaching timetable for the relevant semester.
Upon accessing the reading list, please search for the module using the module code: MUS3049
Programmes this module appears in
|Creative Music Technology BMus (Hons)||1||Optional||A weighted aggregate mark of 40% is required to pass the module|
|Music BMus (Hons)||1||Optional||A weighted aggregate mark of 40% is required to pass the module|
|Music and Sound Recording (Tonmeister) BSc (Hons)||1||Optional||A weighted aggregate mark of 40% is required to pass the module|
|Music and Sound Recording (Tonmeister) BMus (Hons)||1||Optional||A weighted aggregate mark of 40% is required to pass the module|
Please note that the information detailed within this record is accurate at the time of publishing and may be subject to change. This record contains information for the most up to date version of the programme / module for the 2022/3 academic year.